Paris: Editions d'Art Skira, (1956) dj. The life and work of the Russian-born French artist Marc Chagall, illustrated with 53 tipped-in color plates -- each with brilliant color. Includes a chronological survey, bibliography, index and list of plates. A title in the Skira Art Books Series of monographs. Translated from the Italian By S.J.C. Harrison & James Emmons. Small square format. 122 pp plus table of contents.

Revere, Pennsylvania: Lodima Press, (1994) dj. Hardcover first edition - The artist's first book, a collection of 42 striking black and white photographs most rooted in the American southwest and west, printed one to a page each with a blank facing page, and interspersed with selections from her journals. Introductory essay by Estelle Jussim. Large oblong format, unpaginated. ISBN: 0-960564667.

Garden City, NY: Anchor Press / Doubleday, 1980. dj. Hardcover first edition - A beautiful book which interweaves images and words, incorporating hand-drawn pages from the Dinner Party needlework. A collaborative work with Judy Chicago as the writer and illustrator, needlework background by Susan Hill, designed by Sheila Levrant de Bretteville and with additional technical drawings by Shannon Hogan and special photographs by Michael Alexander. Large format, illustrated throughout with many full color plates and black and white drawings and photographs. Glossary and attributions. 287 pp plus a final drawing. ISBN: 0-385145683.

New York and Washington, D.C.: Harry N. Abrams / Corcoran Gallery of Art ( (1999.) dj. Hardcover first edition - A book which powerfully and graphically documents the plight of men women and children in cities and towns across the country and points the way to lasting solutions. Illustrated with many full color and black & white photographs, many full page, by Eli Reed, Jodi Cobb, Mary Ellen Mark, Clarence Williams, Tipper Gore, Betsy Frampton, Donna Ferrato, Joseph Rodriguez, Callie Shell, Stephen Shames, Annie Leibovitz, and Diana Walker. Produced in conjunction with exhibits at the Corcoran Gallery in Washington, D.C. and the Getty in Los Angeles. Forword by Tipper Gore, essay by Nan Roman. Large format. 152 pp. ISBN: 0-8109-45533.

Buffalo, NY: Albright - Knox Art Gallery / Buffalo Fine Arts Academy, (1993). First edition - Exhibition catalog of the works by the artist Jess Collins -known simply as Jess - a native Californian and a legendary figure in the San Francisco art scene. Edited, and with an Introduction, by Michael Auping. Foreword by Douglas G. Schultz. With essays by Michael Auping, Robert J. Bertholf, and Michael Palmer. Illustrated throughout, mostly in full color. Includes a catalogue of the exhibition, chronology and selected bibliography. Large oblong format. 245 pp. ISBN: 0-914782851.

San Francisco: Chronicle Books, (1994). First edition - A collection of photographic portraits of 60 fathers and their daughters, from many walks of life - the arts, politics and more - accompanied by texts writen by her subjects themselves - sometimes plain-spoken, sometimes poetic. Among the fathers are Chinua Achebe, Bill Bradley, Derek Walcott, Colin Powell, Carlos Fuente, Claus von Bulow and many more. Includes an introduction by William Styron and an afterword by the photographer. Large format. List of subjects. 131 pp. ISBN: 0-811806197.

Hastings-on-Hudson, New York: Newington-Cropsey Cultural Studies Center, 2004. First edition - Includes essays on the unfinished print, time in the arts, the painting of children by John Singer Sargent, light in photography, and the Glencairn museum. Book reviews and a report on gallery exhibilitons. Illustrated in full color. 55 pp. Small magazine format. ISBN: 1540-9872.

Hastings-on-Hudson, New York: Newington-Cropsey Cultural Studies Center, 2003. First edition - Includes essays on the Morgan library, on Christianity and art, Frederick Turner, Robert Morris's architectural theory, a report on gallery exhibilitons and more. Illustrated in full color. 58 pp. Small magazine format. ISBN: 1540-9872.

Princeton, NJ: Princeton University Press, 1961. dj. Hardcover first edition - The first significant monograph on this fiftheenth century Sienese painter and sculptor's work, which had been neglected by most art historians "because this art is not strikingly original and is quite restricted iconographically, the majority of the works being representations of the Madonna and Child" but later discoveries and the cleaning and restoration of some of his works led to an increased interest in them. Quarto, bound in full navy buckram blocked in black on the spine with gilt titling. Frontispiece. xviii, 235 pp plus a 56 page section with 146 black and white plates of his works.

Bath, UK: Paragon Books, (2002) dj. SIGNED hardcover - SIGNED on the title page by both photographers - Copson and Stone. Slightly oversized square format, printed on heavy glossy stock, with color photographs on every page. Index. 200 pp. ISBN: 0-752574876.

Green Tiger Press, (1988). First edition - A collection of photographs, drawings, and postcards featuring sunsets, accompanied by brief quotations about the ending of the day. Includes a brief introduction and a list of information about the pictures. Oblong format. 69 pp. ISBN: 0-881381020.

Cleveland, Ohio: Sculpture Studio Books, 2003. dj. Hardcover first edition - A collection of essays (including ones by Claudia Mesch on his public sculpure, by Mark Ormond on his sketchbooks, and more) and a catalogue of his sculpture for 35 years. Profusely illustrated, more than 150 illustrations, mostly in full-color. The first edition was limited to 1,500 copies.Includes an index to the sculptures pictured in this volume and a list of his awards and exhibitions. Large format, printed on heavy stock throughout. 144 pp.

Santa Monica, California: By the author, (2001). First edition - A collection of four small stapled booklets -one for each season: Spring, Summer, Fall, Winter - showing the artist's work - illustrations in full color. Spring includes an by Marlena Donahue. Each is 12 pages in a stiff wrapper.

Los Angeles: The J. Paul Getty Museum, (1999) dj. Hardcover first edition - Preface by the architect Richard Meier. A visual record of the site of the museum before it was built, and of the excavation and construction of the Getty Museum between 1984 and 1997. Illustrated throughout with black and white photographs. A striking book in a slightly oversized square format. 126 pp. ISBN: 0-892365498.

New York: Whitney Museum of American Art, (1990). First edition - The first comprehensive look at the work and life of Burgoyne Diller, an important American abstractionist active from the 1930s to the 1950s, to be published after his death in 1965. Produced to accompany an exhibition at the Whitney in 1990. Illustrated throughout in both full color and black and white. Includes chronology, exhibition history, bibliography. Large format. 180 pp. ISBN: 0-874270715.

New York & Madison, WI : Hudson Hills Press, in association with Madison Art Center, (1993) dj. Hardcover first edition - Includes three essays on his work -"The object takes human form" by Stephen Fleischman; "Inventing history: Jim Dine's Glyptothek drawings" by Ruth E. Fine and "In the Glyptothek" by Jim Dine; Illustrated throughout in both black and white and color, including a double foldout of "Seven views of the Hermaphrodite." Published in conjunction with an exhibition in 1993 and 1994. Chronology, selected bibliography, index. A beautiful large format book, printed on glossy stock throughout. 126 pp. ISBN: 1555950965.

Los Angeles: The J. Paul Getty Museum, (1999.). Hardcover first edition - A provocative and beautiful book which brings together two visionary works of art - Belgian artist James Ensor's masterpiece 'Christ's Entry into Brussels in 1889 ' and Bob Dylan's 'Desolation Row' from his 1965 'Highway 61 Revisited' album of 1965. Details from the painting are paired with portions of the lyrics, and there is a fold-out page which shows the entire painting, along with the full lyrics. Oblong format, unpaginated. Includes a CD with an 11:22 second version of Desolation Row in a pocket in the back. ISBN: 0-89236-5528.

Barcelona: Editorial Blume, 1975. dj. Hardcover first edition - Translated from the Spanish by Diorki. Illustrated with 243 black and white photographs and 36 gorgeous full color plates. 2 page map. Large format (9 1/2 by 10 inches), printed on heavy stock throughout, looks at the ceramics in the context of the Mexican culture, and it includes significant information on the potters who were currently producing ceramics at the time this was produced. All photographs were taken specifically for this book. Includes a bibliography and toponymic index. 219 pp. ISBN: 84-7031-2227.

Berkeley, CA & San Francisco: Heyday Books / Precita Eyes Muralists Association,
(2017). SIGNED hardcover first edition - A tribute both to the murals of the Mission district in San Francisco and to the vibrant culture of the people of 'el barrio de la mission," a culture which is now threatened by changes in San Francisco. Illustrated with gorgeous, striking full color photographs by Dick Evans. Foreword by Juan Felipe Herrera entitled "Mission Muralizations, 1945-2016." with the long poem "Second (Mobile) Panel, Something Else, 2016." Introduction by Carla Wojczuk. SIGNED and dated in April 2017 on the title page by Dick Evans and also SIGNED by Herrera with the word "Love". Large square format, printed on glossy stock. xxi, 159 pp plus 2 pp about Heyday Press. ISBN: 978-1597143608.

Los Angeles: J. Paul Getty Museum, (2001) dj. Hardcover first edition - "In 1933, Walker Evans traveled to Cuba to take photographs for 'The Crime of Cuba',a book by the American journalist Carleton Beals. Beals's explicit goal was to expose the corruption of Cuban dictator Gerardo Machado and the long, torturous relationship between the United States and its island neighbor." But, as these photographs, focusing mostly on the people of Cuba, show Evan's artistic temperament was at odds with Beals's rhetoric. This book brings together more than sixty of these images from the Getty Museum's extensive holdings of the photographer's work with an essay by Andrei Codrescu. Introduction by Judith Keller. Large square format. 96 pp. ISBN: 0-89236-6176.

Santa Fe, NM: Twin Palms Publishers, (2002) dj. SIGNED hardcover first edition - A book which captures artists at work - including Claes Oldenburg, Jasper Johns, Allen Ginsberg, Isamu Noguchi, Roy Lichtenstein and many others. Large format with 120 plates of black and white photographs with an essay by Constance W. Glenn SIGNED by Felsen on the title page in silver. One of only 3000 copies. Unpaginated.

New York: Lesnick-Walter Galleries, (1968). SIGNED first edition - Brochure for an exhibition from Feb 20-March 10, 1968, consisting of a single sheet of glossy paper, folded, illustrated with four paintings by Olivier Foss. INSCRIBED by Foss in the center of the inside of the brochure. "Living in Paris in an atelier in Villa des Ternes, . . .Olivier Foss has sought to work undisturbed by the hustle and bustle of the city, whose structures and urban scenes are subjects of much of his painting."

Boston: Little Brown, 1978. dj. Hardcover first edition - A wonderful combination of text and photography - while this is primarily about Britain's Scillie Islands, it is also a reflection of the mysteriousnessof all islands. ISBN: 0-316-28960-4.

New York: New Rivers Press, 1973 (1976). SIGNED - A collection of poems, and many full page black and white photographs. Inscribed and dated by Fox on the title page. Laid in is a brief handwritten note from Fox on a folded sheet - the cover has a two line poem "the doors to the hibuscus are left open." Large square format, 92 pp. ISBN: 0-912284463.

New York: Hudson Hills Press, (1992) dj. SIGNED hardcover first edition - Two volume set in a royal blue slipcase. Volume I includes an introductory essay by Ruth E. Fine, color reproductions of 285 lithographs, and 50 color reproductions of self-portrait lithographs, along with detailed information regarding each print. Volume II contains color reproductions of 115 intaglio prints, 21 screen prints, and 8 posters. Volume One is SIGNED by both the artist Sam Francis (on the half title page) and the author (on the title page.) Chronology, selected exhibition history, bibliography, glossary, concordances, and index. Volume I, 412 pp. Volume II, 200 pp. Laid in is a four-fold brochure for the show "The Last Works" held at the Los Angeles County Museum of Art in 1995. ISBN: 1555950620.

San Francisco: The Friends of Photography, (1988). First edition - Includes an Essay "Mask and Transformation" by Claire V.C. Peeps and an interview with Golden by James L. Enyeart. Illustrated with 32 color plates. Chronology. Large square format, printed on heavy glossy stock. ISBN: 0-933286473.