New York: Oak Publications, (1965) dj. Hardcover first edition - An account by this singer, songwriter, pianist and vaudeville and minstrel performer who has been credited with forever changing the sound of American popular music by convincing Okeh Records to release the first Blues record in 1920 with Mamie Smith singing two of his songs - 'That Thing Called Love' and 'You CanÕt Keep a Good Man Down.' The next record released by Okeh - 'Crazy Blues', and 'ItÕ s Right Here for You' - was promoted as an African-American singer and band, and reportedly sold more than a million copies. Some other record labels began to jump on the bandwagon. While this is described as an autobiography, and includes many entertaining stories from Bradford's life, it is primarily an attempt to set the record straight and to give recognition to many forgotten or overlooked early Black musicians, including Bradford himself. Contains the sheet music for 11 of his songs, including those in the first two Okeh recordings and illustrated with many photographs. Foreword by Noble Sissle. Index. Slightly oversized format. 175 pp plus final drawing.

San Francisco: Kearny Street Workshop 1977. An uncommon publication of the Kearny Street Workshop, the oldest multidisciplinary arts nonprofit in the United States addressing Asian Pacific American issues. Founded in 1972 in San Francisco, its mission is to produce and present art that enriches and empowers Asian Pacific American communities. It played a key role in the I-Hotel anti-eviction movement through community activism, murals, and protest posters. This scarce booklet features poetry and photography by members of the Kearny Street Workshop - including Teri Lee, Nelson Yee, Al Robles, Genny Lim, Janice Mirikitani and others - documenting this attempt to stop the eviction of the elderly Filipinos for whom the hotel had been home for many years. Originally built as a luxury destination in 1854, the International Hotel moved from Jackson St to Kearny St in 1873, and was rebuilt after the Great Earthquake of 1906, by 1968 it had become a low-income single-room-occupancy residential hotel in what was left of Manilatown. While originally the fight was to halt the tragic eviction process and larger community demise, it also sparked grassroots activism for affordable senior housing and was influential in developing a nationwide activist Asian American Movement. This copy has two newspaper photographs carefully taped inside the covers - in the front, the police on horseback are shown brutally riding through the phalanx of over 2000 protesters who tried to create a blockade to protect the building and in the rear is the infamous picture of Sheriff Richard Hongisto taking a sledgehammer to an apartment door, and on the final page is the handwritten comment 'Eviction carried out 8/4 at 3:00 AM" 40 pp. The front cover features a photograph of Felix Ayson standing in front of an International Hotel posting that announces a "rally to stop eviction." The eviction of the International Hotel tenants outraged the nation, and ended the developer's plans. After the building was demolished the lot stood empty for many years, until almost 30 years later, the city of San Francisco completed a new I-Hotel to provide affordable housing for senior citizens and low income residents and to house a Manila Cultural Center. 40 pp in stapled wrappers.