New York / Edinburgh / Melbourne: Cannongate, (2007) dj. Hardcover first edition - The author's very highly praised first novel, the story of Eric Sanderson who has lost his memory, his girl, and his life as he once knew it. From the review by Audrey Niffenegger "I was drawn to his book because of the typography: The Raw Shark Texts is riddled with typographic games, codes, a flip book, and a boatload of very elegant plot devices that hinge on collisions between the Information Age and the imagination. At one point Eric and Scout, his guide/love interest, are speeding away from the conceptual shark on a motorbike. Scout eludes the shark by exploding a letter bomb, a bomb made out of old metal type; the type diverts the shark into a stream of random letterforms. . . . There's echoes of Cyberpunk, Borges, Auster; there is adventure on the high seas, lost love, an exploration of what it means to be human in the age of intelligent machines." 428 pp. ISBN: 978-1841959115.

New York / Edinburgh / Melbourne: Cannongate, (2008). The author's very highly praised first novel, the story of Eric Sanderson who has lost his memory, his girl, and his life as he once knew it. From the review by Audrey Niffenegger "I was drawn to his book because of the typography: The Raw Shark Texts is riddled with typographic games, codes, a flip book, and a boatload of very elegant plot devices that hinge on collisions between the Information Age and the imagination. At one point Eric and Scout, his guide/love interest, are speeding away from the conceptual shark on a motorbike. Scout eludes the shark by exploding a letter bomb, a bomb made out of old metal type; the type diverts the shark into a stream of random letterforms. . . . There's echoes of Cyberpunk, Borges, Auster; there is adventure on the high seas, lost love, an exploration of what it means to be human in the age of intelligent machines." 428 pp. ISBN: 978-1847671745.

London: Frederick Muller, 1976. dj. Hardcover first edition - First biography and study of the work of this remarkable man who worked at the Ballantyne Press, the Doves Press with Emery Walker and Cobden Sanderson, the Cranach Press, and later collaborated with Eric Gill, Gordon Craig, and Edward Johnston. Although he was self-educated, Mason came to be considered as one of his era's greatest printers; among other achievements he developed the Imprint type, a congenial and readable face well suited for periodical printing and book composition. The author was a student of Mason in the years between the wars at what was then known as the L.C.C. Central School of Arts and Craft. Illustrated with a frontispiece portrait, and 12 other illustrations, including some double spread ones. Several appendices listing some of the books produced under his direction and also containing letters and speeches by Mason. Introduction by James Moran, index. A title in the Ars Typographica Series. xvi, 192 pp. ISBN: 0-584103530.