Detroit: Broadside Press, (1974). First edition - The third book in the Broadside Critics Series. Includes a chapter on the Harlem Renaissance as well as on the influence of blues and jazz on contemporary poets. 80 pgs, including notes and bibliography. ISBN: 0-910296987.

Garden City, New York: Doubleday, Doran & Co., Inc., 1945. dj. SIGNED hardcover first edition - The story of African American migration within the United States, from the Underground Railroad in pre-civil war days, to the years following the Emancipation when newly freed slaves headed north and west, and during World War I when there was a labor shortage in the factories of the North and continuing up until the time this book was written. SIGNED on the front endpaper by both authors and inscribed by Conroy ' For my friend Gloria Freidman with the best of wishes" and dated 10/12/45 and underneath this appears 'and also those of' and the signature of Bontemps. References, index. 266 pp.

New York: Frederick A. Stokes Company, 1939. dj. Hardcover - The third novel by this important Harlem Renaissance writer, originally published in 1931. Introduction by Zona Gale and foreword by Jessie Fauset.

New York: Frederick A. Stokes Company, 1929. Hardcover - Fauset's scarce second novel, hard to find in any early printing. Attesting to its early popularity, this second printing is dated Feb. 11, 3 days before the publication date.

Lexington, KY: University Press of Kentucky, (2000) dj. Hardcover first edition - A book described as "the first comprehensive analysis of the modern African American literary response to Africa, from W.E.B. Du Bois's The Souls of Black Folk to Alice Walker's The Color Purple. Combining cutting-edge theory, extensive historical and archival research, and close readings of individual texts, Gruesser reveals the diversity of the African American response to Countee Cullen's question, 'What is Africa to Me?'" Extensive notes, works cited, index. xiii, 205 pp. ISBN: 0-813121639.

New York: Henry Holt, 1996. dj. Hardcover first edition - Author's fourth book - a revisiting of the Harlem during several eras: in its early days as a pastoral suburb; during the Harlem Renaissance of the 20's, and in its decline into a symbol of urban despair. Small octavo. 276 pp. ISBN: 0-8050-4851-0.

New York: Henry Holt, (1951.) dj. Hardcover first edition - A late and uncommon collection of poetry by Hughes - a portrait of the community of Harlem in transition. Dedicated to Ralph and Fanny Ellison. An interesting association copy "To my dear friend Kathy by way of my mother Alice C. Browning. I know you will cherish this as I cherish all of her books." and dated in 1985, the year Browning died. Browning was an active member of the Chicago Black Renaissance, who, among other things, founded and published the 1940s magazine "Negro Story" which included contributions by Langston Hughes. 75 pp.

Philadelphia: Lippincott, 1939. dj. Hardcover first edition - Hurston's novel of Moses from an African-American folklore point of view - as the great 'Voodoo Man' of the Bible. In the first issue binding, finely woven reddish-brown cloth stamped in orange on the front boards and spine.

New York: Scribner's, 1948. dj. Hardcover first edition - Hurston's fourth, and final, novel. This is the story of Arvey and Jim Meserve - Jim had gumption and wanted to get ahead, and so they moved from the Suwanee to the citrus belt in Florida, but the heart of the story is Arvey's long stumbling progress towards self-discovery and fulfillment. On the back cover of the dustjacket is a 2 column brief biography headed by 'Zora Neale Hurston writes about herself:' Original price of $3.00 still present. 311 pp.

New York: Harper Collins, (1995) dj. Hardcover first edition - Includes all of her published short stories, listed chronologically by the date of their first appearance and seven not previously published stories. Introduction by Henry Louis Gates, Jr. and Sieglinde Lemke and an afterword by Gates. Bibliography. 305 pp. ISBN: 0-060167327.

New York: Chelsea House Publishers, (1991). A biography of this important Harlem Renaissance author, written for younger readers and illustrated throughout with photographs. Introductory essay by Coretta Scott King. A title in the Black Americans of Achievement series, edited by Nathan Irvin Huggins. List of books by Hurston, a chronology, suggestions for further reading and index. Slightly oversized square format. 120 pp. ISBN: 0-791011542.

New York: Viking, 1935. dj. Hardcover first edition - The title poem of this collection was originally privately published in an edition of only 200 copies, and was written in reaction to the news that the when the US was sending a contigent of gold star mothers to Europe to visit the graves of their sons, that the Negro mothers would not be allowed to sail on the same ship as the white gold-star mothers. Also includes poems from his first book of poetry and some which had not previously been published in book form.

New Brunswick, NJ: Rutgers University Press. 1991. One of the American Women Writers Series. Edited and with an Introduction by Deborah E. McDowell. This is a reprinting of two novels by Nella Larsen, a woman born of a Danish mother and black West Indian father. A writer of the Harlem Renaissance and winner of a Guggenheim in 1930, Nella Larsen died in relative obscurity. Notes, 246 pp. ISBN: 0-8135-11704.

New York: G. K. Hall, 1997. dj. Hardcover first edition - A title in the African-American Women Writers 1910-1940 series. While very little information is available on the two authors in this volume, both Pitt and Scott were born in 1900, and both of these novels were written when the authors were in their late 30's, towards the end of the Harlem Renaissance, and towards the end of the Depression. Both novels were published in 1939, and the short story 'Case 999' was published in 1952. In addition to the introduction by Mobley, this volume includes reproductions of the original publications of these works,. ISBN: 0-8161-16342.

Sacramento, CA: Act Three, 1988. First edition - Poetry chapbook by this African American author: the theme is the Harlem Renaissance, both as a tribute to the writers of that period, and a study of the contrasts made by the passage of 60 years. Cover design by D. Woodard.

Seattle: University of Washington Press, 1975. Autobiography of this African-American singer, one of the foremost spiritual / blues singers of his day, in which he recounts his Montana childhood, his experiences as a Pullman porter, working as a driver for John Ringling, being in New York during the years now called the 'Harlem Renaissance' and traveling to Europe to sing. Originally published in 1929, this includes the original illustrations by Covarrubias, the introduction by Muriel Draper, who talks about editing the manuscript, and the foreword by Carl Van Vechten and adds a significant new introduction by Robert Hemenway as well as a section of photographs. Glossary, liv, 236 pp. ISBN: 0-295952480.

Albuquerque: University of New Mexico Press, 1955. dj. Hardcover first edition - A look at the life and work of Van Vechten - as a novelist, as a music critic and as a photographer - during this period of transition and change in American life. Illustrated with photographs by Van Vechten himself, Man Ray and others. Bibliography, index, 150 pages.

New York: Doubleday, 1995. dj. Hardcover first edition - A collection of stories (including her first short story "The Typewriter" which took second prize in a writing contest when she was only 17) and autobiographical essays, selected and introduced by the author - the last living writer from the days of the Harlem Renaissance. Preface by Mary Helen Washington. 254 pp. ISBN: 0-385-471459.